Will Smith’s big screen role in The Pursuit of Happyness, which also features his adorable son, Jaden, is much more than just another box office hit. While its central theme is a complex tale (based on a true story) about the ability of the human spirit to overcome poverty and homelessness and achieve success, it is equally a positive film about a Black man who is a devoted father, which may serve to combat the negative, stereotypical depictions of Black men found in the media and on television daily.
For those that are unfamiliar with the movie’s plot, Will Smith portrays Christopher Gardner, a young, African-American father who ends up homeless, along with his 5-year-old son, after his wife leaves home due to the strain of financial burdens. In a series of unfortunate events to follow, Smith’s character loses his home, but not his will to survive. And, most importantly, he is a constant, positive force in his son’s life, despite their troubled circumstances.
The Washington Post reported on the movie recently, noting that “Smith … isn’t a superhero saving the world but a man totally devoted to his son.” The article also quotes entertainer and businessman Fatin Dantzler as saying, “Art often depicts reality, and the reality Hollywood directors see is what most people see in the media, Black men in negative roles.”
For instance,
statistics published December 31 in The Washington Post painted a picture of Black males as criminals, the majority of whom are destined to spend their lives incarcerated. The “By the Numbers” brief stated that “in 2005, black males ages 18 to 24 were the most common homicide victims and offenders in the District. At the end of 2001, 1,936,000 black men had been to prison, representing 16.6 percent of the national adult black male population. In comparison, 7.7 percent of adult Hispanic males and 2.6 percent of adult white males had been to prison.”
Some may argue that numbers don’t lie, which is false. Quantitative data alone, when not supported by explanatory, qualitative information, can be misleading. The Post article does not mention that the disproportionate arrest rate of Black males vs. White males and the racial profiling that takes place in predominantly Black and Latino neighborhoods is largely to blame for these statistics. Many Black males don’t get the chance to be good fathers because they are unjustly targeted, accused, arrested, and convicted of crimes.
Pursuit of Happyness is a ray of sunshine, the rays of which will hopefully overshadow such statistics and characterizations of Black males that are prone to misinterpretation. What is most remarkable about the movie is that the good, Black father that Smith portrays is not relegated to a subplot, but rather is the focal point of the movie. The movie also does not shy away from scenes showing the racism that Mr. Gardner endured while he was homeless, including one scene in particular that takes place after he is accepted to an internship for aspiring stockbrokers. Of the several dozen young hopefuls in the program, we see that Gardner is the only Black candidate. He is treated harshly and unfairly by the course instructor, even asked to perform unnecessary personal tasks such as moving his car or fetching coffee. And let’s bear in mind that this did not take place in 1965, but 1983.
So, while some movie critics praise what they the movie because they say it is a “color-blind” of success based on merit, as a Black man, Smith works hard to excel in the internship and has to jump through hoops that his White counterparts do not, in order to compete for the same spot.
Director Gabriele Muccino tackled sensitive issues of race bravely in this movie. It’s the type of movie that may leave audience members thinking, ‘There are good Black men out there who care for their children, don’t take drugs or engage in criminal activities, and aren’t in jail.’ It just might help to deconstruct some of the myths people believe about men of color. And, if that’s the case, then we’re thankful that this work of art does, indeed, imitate real life.